Director of North America Branch ~ ICCPS
国際中国書法国画家協会アメリカ支部:Ms. Casey Shannon アメリカ現代水墨画家

Ensō Aven
Potter Enso ~ Nakazato Muan (1895-1985)

Here, in short, is my answer to this question. I create for the sheer joy and pleasure of creating. I create for myself. For me, the creative process is spiritually personal and is a meditation. Being still and meditating allows the creative juices in me to start flowing. Creating my art allows me to be in the present right NOW. I focus only on painting and allow all else to fade away. Worries, plans, responsibilities, what I should do, etc. all become less of an immediate presence. In the act of painting, I attain a level of peace that I achieve no place else. Creating is a selfish act most satisfying. I create for me.
That being said, I humbly offer my paintings for others to see and hopefully enjoy. It is my wish that viewers find in my painting a sense of beauty, peace, something that moves them, and a feeling of ‘wow, I really like this’ or ‘jeez, what was she thinking?’ I would hope the first reaction is obtained. Although, whatever one feels about my artwork is OK. Viewers were moved in some way. They may or may not purchase my work. Either is fine. If they do, I am always very pleased. If they do not, that is beautiful too because that was not the painting’s purpose. The painting 'just exists'.
The sumi-e painting you see here is called 'One Pelican Waiting' by Casey Shannon. It was inspired by all the pelicans that swoop and glide in a line ac
ross the waves of the ocean. Pelicans are my favorite bird. I always see these wonderful creatures along Highway One as I drive up the coast to the college where I teach. They seem to gather at Moss Landing and greet me as I drive along the road. Seeing them is always such a delight and I look forward to this treat along my journey. A reproduction of my pelican painting can be purchased from my Zazzle Gallery. The original sumi-e can be viewed at Gallery Journey into Art.
The sumi-e I have created above is called 'Branch of Persimmon'.
Expressed in words by my Haiku:
” juicy ripe, branch of persimmon, gently live.”
- Casey Shannon
In Japanese, haiku are traditionally printed in a single vertical line, while haiku in English usually appear in three lines, to parallel the three metrical phrases of Japanese haiku. Such as :
The fragrance!
Though I know not
Whence it comes.
~ Basho
Previously called hokku, haiku was given its current name by the Japanese writer Masaoka Shiki at the end of the 19th century. The typical length of haiku appearing in the main English-language journals is 10–14 syllables and have a symmetrical line arrangement such as 5-7-5 or 3-5-3. Some haiku poets are concerned with their haiku being expressed in one breath and the extent to which their haiku focus on “showing” as opposed to “telling”. Therefore haiku is concerned with showing minimally as is Sumi-e. Sumi-e is concerned with 'showing' spirit minimally.
Now let’s look at the undisputed master of the haiku, Matsuo Bashō, an Edo-period Japanese haiku poet. Bashō’s poetry was quickly recognized for it’s simple and natural style. Sumi-e is recognized for it’s simple and elegant brush strokes. A natural combination.
Let me show you an example of how I have used haiku in combination with non-traditional contemporary sumi-e. For me as an artist, usually the haiku inspires the sumi-e. This results in a simple creative expression and profound experience. The following haiku is considered to be Basho’s most famous haiku writing.
At the ancient pond,
a frog plunges into,
the sound of water.
~ Basho
The sumi-e below is called 'Sound of Water' by Casey Shannon.

